Mendelssohn-Bartholdy, Felix 1809-1847
Overview
| Works: | 47,919 works in 113,598 publications in 19 languages and 603,230 library holdings |
|---|---|
| Genres: | Symphonies Scores Songs and music Oratorios Biographies Chamber music Overtures Concertos Live sound recordings Personal correspondence |
| Roles: | Author, Composer, Creator, Other, Arranger, Contributor, Musician, Librettist, Instrumentalist, Editor, Honoree, Dedicatee, Bibliographic antecedent, Performer, Adapter, Artist, Compiler, Translator, Conductor, Correspondent, Calligrapher, Author of introduction, Lyricist, Recipient, Dubious author, Former owner, wat, Illustrator, Collector, htt, Scribe, wac |
| Classifications: | ML410.M5, B |
Publication Timeline
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Most widely held works about
Felix Mendelssohn-Bartholdy
- Mendelssohn : a life in music by R. Larry Todd( )
- A portrait of Mendelssohn by Clive Brown( )
- Mendelssohn in performance by Siegwart Reichwald( )
- Mendelssohn and his world( )
- The price of assimilation : Felix Mendelssohn and the nineteenth-century anti-Semitic tradition by Jeffrey S Sposato( )
- Felix Mendelssohn and his times by Heinrich Eduard Jacob( Book )
- Bach in Berlin : nation and culture in Mendelssohn's revival of the St. Matthew Passion by Celia Applegate( )
- Mendelssohn, time and memory : the romantic conception of cyclic form by Benedict Taylor( )
- Mendelssohn : a new image of the composer and his age by Eric Werner( Book )
- On wings of song : a biography of Felix Mendelssohn by Wilfrid Blunt( Book )
- The life of Mendelssohn by Peter Jameson Mercer-Taylor( Book )
- The lives and times of the great composers by Michael Steen( Book )
- Felix Mendelssohn, a life in letters by Felix Mendelssohn-Bartholdy( Book )
- The Mendelssohns : three generations of genius by Herbert Kupferberg( Book )
- The Cambridge companion to Mendelssohn by Peter Jameson Mercer-Taylor( Book )
- Gentle genius : the story of Felix Mendelssohn by George R Marek( Book )
- Letters : with 33 illustrations by Felix Mendelssohn Bartholdy( Book )
- Mendelssohn perspectives by Angela Mace( )
- The romantic composers by Daniel Gregory Mason( Book )
- The great composers and their works by Nicolas Slonimsky( Book )
more
fewer
Most widely held works by
Felix Mendelssohn-Bartholdy
A midsummer night's dream by
Felix Mendelssohn-Bartholdy(
)
323 editions published between 1937 and 2021 in 10 languages and held by 4,571 WorldCat member libraries worldwide
Content: Peer Gynt highlights
323 editions published between 1937 and 2021 in 10 languages and held by 4,571 WorldCat member libraries worldwide
Content: Peer Gynt highlights
Concerto, E minor, for violin and orchestra, Op. 64 by
Felix Mendelssohn Bartholdy(
)
893 editions published between 1845 and 2020 in 9 languages and held by 4,216 WorldCat member libraries worldwide
In 1838 Felix Mendelssohn wrote to the violin virtuoso Ferdinand David informing him that he was working on a violin concerto " ... the opening theme, one in E minor runs through my head and it gives me no peace"; the concerto in the state described by Mendelssohn to David was never published in a performing edition. It was only rediscovered in 1988. One would think that such an important work would be adequately represented in modern editions true to the sources. Alas not even the score used today represents the orchestral parts Mendelssohn saw to print in 1845, but one heavily edited in the 1860s by Julius Rietz for the Mendelssohn Complete Edition. For the Bärenreiter Urtext edition, the Mendelssohn specialist R. Larry Todd has edited both the original version of the concerto as well as the later version known today. The first version of the concerto calls for the soloist to perform the orchestral tuttis, contains a shorter cadenza by Mendelssohn, many solo violin pitches in different octaves, passages with different orchestral scoring and many many surprises regarding articulation and dynamics. The later version goes back to the first edition orchestral parts published in 1845 and the piano reduction sanctioned by Mendelssohn. Todd makes use of all known sources including the letters between Mendelssohn and David as well as Mendelssohn and the original publishers where general schemes as well as specifics of articulation were exchanged. This first ever Urtext edition of one of the most popular violin concertos in the repertoire finally gives performers the opportunity of playing just what Mendelssohn wrote. The Bärenreiter Urtext edition offers the two versions of op. 64 back to back in score and parts together with facsimiles, an informative preface describing the genesis of the composition and a detailed critical commentary. This Bärenreiter Urtext edition offers: First ever Urtext edition of both versions of op. 64; Critical Commentary (Engl.) included with full score; Informative preface (Engl. / Ger.); Piano reductions each with an Urtext violin part and a second violin part prepared with fingerings and bowings. - Publisher
893 editions published between 1845 and 2020 in 9 languages and held by 4,216 WorldCat member libraries worldwide
In 1838 Felix Mendelssohn wrote to the violin virtuoso Ferdinand David informing him that he was working on a violin concerto " ... the opening theme, one in E minor runs through my head and it gives me no peace"; the concerto in the state described by Mendelssohn to David was never published in a performing edition. It was only rediscovered in 1988. One would think that such an important work would be adequately represented in modern editions true to the sources. Alas not even the score used today represents the orchestral parts Mendelssohn saw to print in 1845, but one heavily edited in the 1860s by Julius Rietz for the Mendelssohn Complete Edition. For the Bärenreiter Urtext edition, the Mendelssohn specialist R. Larry Todd has edited both the original version of the concerto as well as the later version known today. The first version of the concerto calls for the soloist to perform the orchestral tuttis, contains a shorter cadenza by Mendelssohn, many solo violin pitches in different octaves, passages with different orchestral scoring and many many surprises regarding articulation and dynamics. The later version goes back to the first edition orchestral parts published in 1845 and the piano reduction sanctioned by Mendelssohn. Todd makes use of all known sources including the letters between Mendelssohn and David as well as Mendelssohn and the original publishers where general schemes as well as specifics of articulation were exchanged. This first ever Urtext edition of one of the most popular violin concertos in the repertoire finally gives performers the opportunity of playing just what Mendelssohn wrote. The Bärenreiter Urtext edition offers the two versions of op. 64 back to back in score and parts together with facsimiles, an informative preface describing the genesis of the composition and a detailed critical commentary. This Bärenreiter Urtext edition offers: First ever Urtext edition of both versions of op. 64; Critical Commentary (Engl.) included with full score; Informative preface (Engl. / Ger.); Piano reductions each with an Urtext violin part and a second violin part prepared with fingerings and bowings. - Publisher
Elijah by
Felix Mendelssohn-Bartholdy(
)
248 editions published between 1925 and 2015 in 6 languages and held by 3,874 WorldCat member libraries worldwide
An oratorio after words from the Old Testament, Op. 70
248 editions published between 1925 and 2015 in 6 languages and held by 3,874 WorldCat member libraries worldwide
An oratorio after words from the Old Testament, Op. 70
Elias : Oratorium nach den Worten des alten Testamentes = Elijah : oratorio with words from the Old Testament ; op. 70 by
Felix Mendelssohn-Bartholdy(
)
834 editions published between 1800 and 2021 in 10 languages and held by 3,694 WorldCat member libraries worldwide
II. Vokalwerke. 1. Für Chor und Orchester
834 editions published between 1800 and 2021 in 10 languages and held by 3,694 WorldCat member libraries worldwide
II. Vokalwerke. 1. Für Chor und Orchester
The piano trios by
Felix Mendelssohn Bartholdy(
)
130 editions published between 1968 and 2021 in 5 languages and held by 3,391 WorldCat member libraries worldwide
Alte Musik Koln is a period music ensemble founded in 2006. The members of the ensemble, successful Baroque and instrumental specialists in their own right, each contribute a unique element to a particularly wide-ranging and harmonious whole. The present CD marks the beginning of a long-term cooperation with the label ARS. On their first recording, Alte Musik Koln turn their attention to Felix Mendelssohn
130 editions published between 1968 and 2021 in 5 languages and held by 3,391 WorldCat member libraries worldwide
Alte Musik Koln is a period music ensemble founded in 2006. The members of the ensemble, successful Baroque and instrumental specialists in their own right, each contribute a unique element to a particularly wide-ranging and harmonious whole. The present CD marks the beginning of a long-term cooperation with the label ARS. On their first recording, Alte Musik Koln turn their attention to Felix Mendelssohn
Songs without words by
Felix Mendelssohn-Bartholdy(
)
188 editions published between 1900 and 2017 in 7 languages and held by 3,345 WorldCat member libraries worldwide
Contains piano pieces of Mendelssohn and Chopin by Alicia de Larrocha
188 editions published between 1900 and 2017 in 7 languages and held by 3,345 WorldCat member libraries worldwide
Contains piano pieces of Mendelssohn and Chopin by Alicia de Larrocha
Symphony no. 4, A major, op. 90 : (Italian symphony) by
Felix Mendelssohn-Bartholdy(
)
472 editions published between 1800 and 2018 in 8 languages and held by 3,002 WorldCat member libraries worldwide
In 1832, the Royal Philharmonic Society of London honoured the young German composer Felix Mendelssohn Bartholdy with several commissions. One of the works composed as a result was the A major symphony, the "Italian", based on Mendelssohn's experiences in Italy in 1830 and 1831. The work was premiered in 1833, conducted by the composer. Today, the Italian Symphony has a firm place in the canon of classical masterworks, though at its premiere and both the following performances, the work was not entirely positively received. Mendelssohn himself was unhappy with it. In 1834, he revised the last three movements, but did not complete this revision. To this day, the early version of the "Italian" is the one played everywhere, whilst the revised version has remained to a large extent unknown. Bärenreiter's critical new edition, edited by Christopher Hogwood, includes all the performance material for the complete version of 1833, together with the last three movements in the composer's revised version. Conductors can now choose between the early and revised versions; the revised one includes the first movement from the early version. - Publisher
472 editions published between 1800 and 2018 in 8 languages and held by 3,002 WorldCat member libraries worldwide
In 1832, the Royal Philharmonic Society of London honoured the young German composer Felix Mendelssohn Bartholdy with several commissions. One of the works composed as a result was the A major symphony, the "Italian", based on Mendelssohn's experiences in Italy in 1830 and 1831. The work was premiered in 1833, conducted by the composer. Today, the Italian Symphony has a firm place in the canon of classical masterworks, though at its premiere and both the following performances, the work was not entirely positively received. Mendelssohn himself was unhappy with it. In 1834, he revised the last three movements, but did not complete this revision. To this day, the early version of the "Italian" is the one played everywhere, whilst the revised version has remained to a large extent unknown. Bärenreiter's critical new edition, edited by Christopher Hogwood, includes all the performance material for the complete version of 1833, together with the last three movements in the composer's revised version. Conductors can now choose between the early and revised versions; the revised one includes the first movement from the early version. - Publisher
Symphony no. 3, A minor, op. 56 : (Scotch symphony) by
Felix Mendelssohn-Bartholdy(
)
465 editions published between 1800 and 2019 in 8 languages and held by 2,709 WorldCat member libraries worldwide
Composition de l'orchestre: harmonie: 2.2.2.2./4.2.0.0., timbales, cordes
465 editions published between 1800 and 2019 in 8 languages and held by 2,709 WorldCat member libraries worldwide
Composition de l'orchestre: harmonie: 2.2.2.2./4.2.0.0., timbales, cordes
Symphony no. 3 : Scottish ; Symphony no. 4 : Italian by
Felix Mendelssohn-Bartholdy(
)
58 editions published between 1979 and 2017 in 4 languages and held by 2,707 WorldCat member libraries worldwide
58 editions published between 1979 and 2017 in 4 languages and held by 2,707 WorldCat member libraries worldwide
Lieder ohne Worte by
Felix Mendelssohn-Bartholdy(
)
205 editions published between 1925 and 2020 in 8 languages and held by 2,603 WorldCat member libraries worldwide
205 editions published between 1925 and 2020 in 8 languages and held by 2,603 WorldCat member libraries worldwide
Three orchestra pieces from A midsummer night's dream : opus 61 by
Felix Mendelssohn-Bartholdy(
)
702 editions published between 1843 and 2020 in 10 languages and held by 2,406 WorldCat member libraries worldwide
II. Vokalwerke. 1. Für Chor mit Instrumentalbegl
702 editions published between 1843 and 2020 in 10 languages and held by 2,406 WorldCat member libraries worldwide
II. Vokalwerke. 1. Für Chor mit Instrumentalbegl
Symphony no 2 : "Lobgesang" by
Felix Mendelssohn-Bartholdy(
)
61 editions published between 1956 and 2018 in 5 languages and held by 2,279 WorldCat member libraries worldwide
Sinfonia: Maestoso con moto -- Allegretto un poco agitato -- Adagio religioso -- Chorus: Alles was Odem hat, lobe den Herrn -- Lobe den Herrn, meine Seele -- Rezitativ und Arie: Saget es, die ihr erlöset seid -- Chorus: Sagt es, die ihr erlöset seid -- Duett und Chor: Ich harrete des Herrn -- Solo: Stricke des Todes hatten uns umfangen -- Chorus: Die Nacht ist vergangen -- Chorus: Nun danket alle Gott -- Duett: Drum sing ich mit meinem Liede -- Schlusschor: Ihr Völker! Bringet her dem Herrn
61 editions published between 1956 and 2018 in 5 languages and held by 2,279 WorldCat member libraries worldwide
Sinfonia: Maestoso con moto -- Allegretto un poco agitato -- Adagio religioso -- Chorus: Alles was Odem hat, lobe den Herrn -- Lobe den Herrn, meine Seele -- Rezitativ und Arie: Saget es, die ihr erlöset seid -- Chorus: Sagt es, die ihr erlöset seid -- Duett und Chor: Ich harrete des Herrn -- Solo: Stricke des Todes hatten uns umfangen -- Chorus: Die Nacht ist vergangen -- Chorus: Nun danket alle Gott -- Duett: Drum sing ich mit meinem Liede -- Schlusschor: Ihr Völker! Bringet her dem Herrn
Elias by
Felix Mendelssohn Bartholdy(
)
180 editions published between 1963 and 2018 in 7 languages and held by 2,205 WorldCat member libraries worldwide
A concert-recording from the minster at abbey Maulbronn performed by Peter Lika (bass, Elijah), Heidi Elisabeth Meier, Jolantha Michalska-Taliaferro, Hans Peter Blochwitz, The Kantorei Maulbronn and members of the SWR-symphony-orchestra. Conductor: Juergen Budday. Mendelssohn's Elijah, one of the most important oratorios of the nineteenth century, premiered in Birmingham in 1846 and was emphatically celebrated both by the public and the press. According to a contemporary review, Mendelssohn turned music "into a grand sacred service". Elijah is a biblical figure, and consequently the libretto is composed entirely from biblical texts. The oratorio lacks a continuous plot. Rather, important excerpts from the life of the prophet are strung together like snapshots, some of which are highly dramatic. The prophet's ascension into heaven concludes a series of powerful, dramatic and pathetic circumstances, effectively depicted by Mendelssohn music. The oratorio ends both with a somewhat mystical reference to the Messiah as the figure who truly consummates faith and the divine work, as well as a vision of divine grandeur. Despite the lack of a continuous plot, Mendelssohn manages to create gripping, dramatic episodes. The chorus plays a special!, important role. It sustains the action over long segments, taking the part of the people or of Baal's priests; elsewhere, it slips into the role of the community of the faithful ("Blessed is he who fears the Lord" or "He who persists until the end") and comments on the events. Mendelssohn, with the help of the minister Julius Schubring, essentially took the entire text from 1 Kings 17-19 and 2 Kings 1-2. Mendelssohn wrote Schubring on 2 November 1838, with regard to the character Elijah: "For Elijah I had in mind a proper prophet through and through, of the sort we could use again today: strong, zealous, as well as angry, furious and grim, in opposition to the rabble of the court and of the people, in opposition to nearly the whole world, and yet borne as if by angels' wings." Seen in this way, the prophet Elijah, and hence Mendelssohn's oratorio, is once again extremely relevant for us today
180 editions published between 1963 and 2018 in 7 languages and held by 2,205 WorldCat member libraries worldwide
A concert-recording from the minster at abbey Maulbronn performed by Peter Lika (bass, Elijah), Heidi Elisabeth Meier, Jolantha Michalska-Taliaferro, Hans Peter Blochwitz, The Kantorei Maulbronn and members of the SWR-symphony-orchestra. Conductor: Juergen Budday. Mendelssohn's Elijah, one of the most important oratorios of the nineteenth century, premiered in Birmingham in 1846 and was emphatically celebrated both by the public and the press. According to a contemporary review, Mendelssohn turned music "into a grand sacred service". Elijah is a biblical figure, and consequently the libretto is composed entirely from biblical texts. The oratorio lacks a continuous plot. Rather, important excerpts from the life of the prophet are strung together like snapshots, some of which are highly dramatic. The prophet's ascension into heaven concludes a series of powerful, dramatic and pathetic circumstances, effectively depicted by Mendelssohn music. The oratorio ends both with a somewhat mystical reference to the Messiah as the figure who truly consummates faith and the divine work, as well as a vision of divine grandeur. Despite the lack of a continuous plot, Mendelssohn manages to create gripping, dramatic episodes. The chorus plays a special!, important role. It sustains the action over long segments, taking the part of the people or of Baal's priests; elsewhere, it slips into the role of the community of the faithful ("Blessed is he who fears the Lord" or "He who persists until the end") and comments on the events. Mendelssohn, with the help of the minister Julius Schubring, essentially took the entire text from 1 Kings 17-19 and 2 Kings 1-2. Mendelssohn wrote Schubring on 2 November 1838, with regard to the character Elijah: "For Elijah I had in mind a proper prophet through and through, of the sort we could use again today: strong, zealous, as well as angry, furious and grim, in opposition to the rabble of the court and of the people, in opposition to nearly the whole world, and yet borne as if by angels' wings." Seen in this way, the prophet Elijah, and hence Mendelssohn's oratorio, is once again extremely relevant for us today
Fingals cave : the Hebrides ; overture ; op. 26 by
Felix Mendelssohn-Bartholdy(
)
488 editions published between 1833 and 2020 in 9 languages and held by 2,172 WorldCat member libraries worldwide
Description du matériel d'orchestre : 2.2.2.2./2.2.0.0, timbales, cordes
488 editions published between 1833 and 2020 in 9 languages and held by 2,172 WorldCat member libraries worldwide
Description du matériel d'orchestre : 2.2.2.2./2.2.0.0, timbales, cordes
Octett [in E flat major], op. 20 by
Felix Mendelssohn Bartholdy(
)
481 editions published between 1825 and 2015 in 8 languages and held by 2,102 WorldCat member libraries worldwide
III. Instrumentalmusik. 9. Oktett
481 editions published between 1825 and 2015 in 8 languages and held by 2,102 WorldCat member libraries worldwide
III. Instrumentalmusik. 9. Oktett
Works for cello and piano by
Felix Mendelssohn-Bartholdy(
)
64 editions published between 1987 and 2019 in 4 languages and held by 2,078 WorldCat member libraries worldwide
It is well known that Felix Mendelssohn's sister Fanny was a highly talented musician, but fewer are familiar with the fact that there were two other musical siblings in the Mendelssohn family: Rebecka, a gifted singer, and Paul, a very competent amateur cellist. It is to Paul, a banker by profession, that we owe the existence of much of Felix's music for the instrument, which in spite of Beethoven's endeavours hadn't yet become firmly established as a duo partner of the piano. Fitting comfortably on a single disc, Mendelssohn's works for cello and piano are here presented by Christian Poltéra and Ronald Brautigam, who open with the Variations concertantes in D major, composed in 1829. Brautigam has recently released the composer's Lieder ohne Worte, performing them on a copy of a piano by Pleyel from 1830, and plays the same instrument on the present disc. Meanwhile, Poltéra has chosen to equip his 1711 Stradivarius cello with gut strings, and together the two musicians and their instruments create a sound which is both flexible, transparent and vigorous - ideal for Mendelssohn's scores. The two substantial sonatas, composed in 1838 and 1843, are separated on the disc by a brief 'Albumblatt' and a Romance sans paroles in D major, the only 'song without words' that Mendelssohn wrote for two instruments rather than piano solo
64 editions published between 1987 and 2019 in 4 languages and held by 2,078 WorldCat member libraries worldwide
It is well known that Felix Mendelssohn's sister Fanny was a highly talented musician, but fewer are familiar with the fact that there were two other musical siblings in the Mendelssohn family: Rebecka, a gifted singer, and Paul, a very competent amateur cellist. It is to Paul, a banker by profession, that we owe the existence of much of Felix's music for the instrument, which in spite of Beethoven's endeavours hadn't yet become firmly established as a duo partner of the piano. Fitting comfortably on a single disc, Mendelssohn's works for cello and piano are here presented by Christian Poltéra and Ronald Brautigam, who open with the Variations concertantes in D major, composed in 1829. Brautigam has recently released the composer's Lieder ohne Worte, performing them on a copy of a piano by Pleyel from 1830, and plays the same instrument on the present disc. Meanwhile, Poltéra has chosen to equip his 1711 Stradivarius cello with gut strings, and together the two musicians and their instruments create a sound which is both flexible, transparent and vigorous - ideal for Mendelssohn's scores. The two substantial sonatas, composed in 1838 and 1843, are separated on the disc by a brief 'Albumblatt' and a Romance sans paroles in D major, the only 'song without words' that Mendelssohn wrote for two instruments rather than piano solo
The complete string quartets by
Felix Mendelssohn-Bartholdy(
)
59 editions published between 1974 and 2013 in 4 languages and held by 2,057 WorldCat member libraries worldwide
One of today's most dynamic and exciting ensembles, the Pacifica Quartet celebrates its 10th anniversary with a three-CD set of Mendelssohn's complete string quartet cycle. Known for its stunningly expressive performances and ideal balance, the youthful Pacifica is a perfect match for this early Romantic composer's exuberant chamber music
59 editions published between 1974 and 2013 in 4 languages and held by 2,057 WorldCat member libraries worldwide
One of today's most dynamic and exciting ensembles, the Pacifica Quartet celebrates its 10th anniversary with a three-CD set of Mendelssohn's complete string quartet cycle. Known for its stunningly expressive performances and ideal balance, the youthful Pacifica is a perfect match for this early Romantic composer's exuberant chamber music
Ouverture zum Oratorium Paulus : op. 36 by
Felix Mendelssohn Bartholdy(
)
568 editions published between 1748 and 2022 in 6 languages and held by 1,961 WorldCat member libraries worldwide
II. Vokalwerke. 1. Für Chor und Orchester
568 editions published between 1748 and 2022 in 6 languages and held by 1,961 WorldCat member libraries worldwide
II. Vokalwerke. 1. Für Chor und Orchester
Symphony no. 2, op. 52 by
Felix Mendelssohn-Bartholdy(
)
554 editions published between 1840 and 2019 in 8 languages and held by 1,934 WorldCat member libraries worldwide
II. Vokalwerke. 1. Für Chor und Orchester
554 editions published between 1840 and 2019 in 8 languages and held by 1,934 WorldCat member libraries worldwide
II. Vokalwerke. 1. Für Chor und Orchester
First concert overture to Shakespeare's Midsummer night's dream : for orchestra, op. 21 by
Felix Mendelssohn-Bartholdy(
)
358 editions published between 1832 and 2015 in 7 languages and held by 1,831 WorldCat member libraries worldwide
Composition de l'orchestre: 2.2.2.2/2.2.0.0., ophicléide, timbales, cordes
358 editions published between 1832 and 2015 in 7 languages and held by 1,831 WorldCat member libraries worldwide
Composition de l'orchestre: 2.2.2.2/2.2.0.0., ophicléide, timbales, cordes
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Related Identities
- London Symphony Orchestra Other Performer Musician Conductor Instrumentalist
- Todd, R. Larry Other Interviewee Writer of accompanying material Contributor Author of introduction Arranger Author Editor Instrumentalist
- Bach, Johann Sebastian 1685-1750 Other Performer Adapter Musician Bibliographic antecedent Author Contributor Creator Compiler Composer
- Gewandhausorchester Leipzig Performer Instrumentalist Musician
- Rietz, Julius 1812-1877 Other Arranger Performer Adapter Author of introduction Author Editor Compiler Collector Composer
- Masur, Kurt Other Interviewee Performer Director Conductor Funder
- Mozart, Wolfgang Amadeus 1756-1791 Other Arranger Musician Bibliographic antecedent Author Contributor Creator Compiler Composer
- Beethoven, Ludwig van 1770-1827 Other Performer Musician Instrumentalist Bibliographic antecedent Author Contributor Creator Compiler Composer
- Elijah (Biblical prophet)
- Schubert, Franz 1797-1828 Other Arranger Musician Bibliographic antecedent Author Contributor Creator Compiler Composer
Useful Links
Associated Subjects
Bach, Johann Sebastian, Bartók, Béla, Beethoven, Ludwig van, Berlioz, Hector, Brahms, Johannes, Cello and piano music Chopin, Frédéric, Composers Concertos (Violin)--Scores Concertos (Violin)--Solo with piano Debussy, Claude, Dvořák, Antonín, Elijah--(Biblical prophet) Fauré, Gabriel, Franck, César, Germany Glinka, M. I.--(Mikhail Ivanovich), Haydn, Joseph, Incidental music Janáček, Leoš, Liszt, Franz, Mahler, Gustav, Mendelssohn-Bartholdy, Felix, Meyerbeer, Giacomo, Mozart, Wolfgang Amadeus, Music Offenbach, Jacques, Oratorios Oratorios--Scores Oratorios--Vocal scores with piano Overtures Overtures--Scores Piano music Piano trios Prokofiev, Sergey, Schubert, Franz, Schumann, Robert, Shakespeare, William, Shostakovich, Dmitriĭ Dmitrievich, Sonatas (Cello and piano) Songs without words (Instrumental music) Strauss, Richard, Stravinsky, Igor, String octets (Violins (4), violas (2), cellos (2)) String quartets Symphonies Symphonies--Scores Tchaikovsky, Peter Ilich, Variations (Cello and piano) Wagner, Richard,
Covers
![Octett [in E flat major], op. 20](http://coverart.oclc.org/ImageWebSvc/isbn/+-+9638374125324_140.jpg?client=WorldCatIdentities)
Alternative Names
Bartholdi, Felix Mendelssohn-
Bartholdy F. Mendelssohn
Bartholdy, Felix M.-
Bartholdy, Felix M. 1809-1847
Bartholdy Felix Mendelssohn-
Bartholdy Felix Mendelssohn 1809-1847
Bartholdy, Jacob Ludwig Felix Mendelssohn-
Bartholdy, Jacob Ludwig Felix Mendelssohn- 1809-1847
Bartholdy, Jakob Ludwig Felix Mendelssohn
Bartol’di, Feliks Mendel’son-
Bartolʹdi, F. Mendelʹson-
Bartoldi Feliks Mendelson-
Bartolʹdi, Feliks Mendelʹson 1809-1847
Bertoldi, Feliḳs Mendelson-
Bertoldi, Feliḳs Mendelson 1809-1847
F 1809-1847
F. Mendelssohn
F. Mendelssohn-Bartholdy
Feliks Mendelson Bartoldi
Fēlikss Mendelsons
Fēlikss Mendelszons
Felix Bartholdy Mendelssohn
Felix Mendellsohn-Bartholdy
Felix Mendelsohn
Felix Mendelson
Félix Mendelssohn
Felix Mendelssohn (1809-1847)
Felix Mendelssohn Alimaña jacha marka ankirïw suma q'uchux achuyirin pyanirichiw.
Felix Mendelssohn Alimanya mama llaqtayuq takichaq wan pianu waqichaq
Felix Mendelssohn-Bartholdy
Felix Mendelssohn Bartholdy 19.yüzyılda Alman besteci,piyanist ve orgcu
Félix Mendelssohn Bartholdy compositeur
Félix Mendelssohn Bartholdy compositeur allemand
Felix Mendelssohn Bartholdy compositor musicae
Felix Mendelssohn Bartholdy compositor, pianista e maestro alemão do século XIX
Felix Mendelssohn Bartholdy compozitor, pianist și dirijor german
Felix Mendelssohn Bartholdy deutscher Komponist, Pianist und Dirigent
Felix Mendelssohn Bartholdy Duits componist (1809-1847)
Felix Mendelssohn Bartholdy German composer, pianist and organist
Felix Mendelssohn Bartholdy germana komponisto
Felix Mendelssohn-Bartholdy kompozytor niemiecki
Felix Mendelssohn-Bartholdy německý skladatel, pianista a dirigent
Felix Mendelssohn-Bartholdy német zeneszerző, karmester, zongora- és orgonaművész
Felix Mendelssohn Bartholdy saksalainen säveltäjä
Felix Mendelssohn-Barthology
Felix Mendelssohn compositor i pianista alemany
Felix Mendelssohn Compositor, pianista e organista alemán
Felix Mendelssohn compositor y pianista alemán
Felix Mendelssohn compositore, direttore d'orchestra e pianista tedesco
Felix Mendelssohn cyfansoddwr Almaenig
Felix Mendelssohn German composer, pianist, organist and conductor of Jewish descent
Felix Mendelssohn Germany karimba ŋun nyɛ doo
Felix Mendelssohn tysk komponist
Felix Mendelssohn tysk kompositör, pianist och organist
Felix Mendelssohn tysk romantisk pianist og komponist
Felix Mendelssohn vokiečių kompozitorius
Felix Mendelsson Bartholdy
Felix Mendessohn Bartholdy
Filix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy
Men-te-erh-sung F.
Men-te-erh-sung, f 1809-1847
Mend 1809-1847
Mendel’son-Bartol’di, Feliks
Mendel’son, Feliks
Mendellsohn-Bartholdy , Felix
Mendelsohhn
Mendelsohn
Mendelsohn (1809-1847)
Mendelsohn-Bartholdy
Mendelsohn Bartholdy, Feliks.
Mendelsohn-Bartholdy, Felix
Mendelsohn-Bartholdy, Felix 1809-1847
Mendelsohn, Felix
Mendelsohnas-Bartoldy F.
Mendelson
Mendelʹson-Bartolʹdi, F.
Mendelson-Bartoldi, F 1809-1847
Mendelson-Bartoldi, F. (Feliks), 1809-1847
Mendelson-Bartoldi Feliks
Mendelʹson-Bartolʹdi, Feliks 1809-1847
Mendelson-Bertoldi, Feliḳs
Mendelson-Bertoldi, Feliḳs 1809-1847
Mendelson-Bertoldi, Feliòks, 1809-1847
Mendelʹson, F.
Mendel'son, F. 1809-1847
Mendelʹson, Feliks
Mendelʹson, Feliks 1809-1847
Mendelsonas
Mendelsonas-Bartoldis F.
Mendelsonas-Bartoldis Feliksas
Mendelsonas F.
Mendelsonas Feliksas
Mendelsonas Liudvigas Feliksas Jakovas
Mendelsons-Bartoldi, F.
Mendelsons-Bartoldi, Fēlikss 1809-1847
Mendelsons-Bartoldi, Félix
Mendelsons-Bartoldijs, Felikss 1809-1847
Mendelsons F.
Mendelsons, Fēlikss 1809-1847
Mendelsshohn-Bartholdy
Mendelsshon
Mendelssoh-Bartholdy, Felix
Mendelssohm
Mendelssohn.
Mendelssohn 1809-1847
Mendelssohn, B.
Mendelssohn B., Felix 1809-1847
Mendelssohn-Barholdy, Feliks.
Mendelssohn Barthodly, Felix
Mendelssohn Bartholddy
Mendelssohn Bartholdi 1809-1847
Mendelssohn-Bartholdi, Felix
Mendelssohn-Bartholdi, Felix 1809-1847
Mendelssohn-Bartholdy, ...
Mendelssohn-Bartholdy 1809-1847
Mendelssohn-Bartholdy F.
Mendelssohn-Bartholdy, F 1809-1847
Mendelssohn-Bartholdy F. 1809-1947
Mendelssohn-Bartholdy, F. (Felix), 1809-1847
Mendelssohn-Bartholdy, Feliks
Mendelssohn-Bartholdy, Felikss 1809-1847
Mendelssohn-Bartholdy Felix
Mendelssohn-Bartholdy, Felix 1809-1847
Mendelssohn Bartholdy, Felix Jacob Ludwig 1809-1847
Mendelssohn Bartholdy, Felix Jakob
Mendelssohn Bartholdy, Felix Jakob 1809-1847
Mendelssohn-Bartholdy, Felix Jakob Ludwig.
Mendelssohn-Bartholdy Jacob Ludwig Felix
Mendelssohn-Bartholdy Jacob-Ludwig-Felix 1809-1847
Mendelssohn-Bartholdy Jakob Ludwig Felix
Mendelssohn-Bartholdy, Jakob Ludwig Félix 1809-1847
Mendelssohn-Bartholdyy, Felix
Mendelssohn-Barthorly, Felix
Mendelssohn Bartoldy, Felix
Mendelssohn Batholdy, Felix 1809-1847
Mendelssohn F.
Mendelssohn, F 1809-1847
Mendelssohn, F. (Felix), 1809-1847
Mendelssohn Feliks
Mendelssohn Felix
Mendelssohn Felix 1809-1847
Mendelssohn, Felix Robert
Mendelssohn Felixs
Mendelssohn Jakob Ludwig Felix
Mendelssohn, Jakob Ludwig Felix 1809-1847
Mendelssohni Felix
Mendelsson-Bartholdy, Felix
Mendelsson-Bartholdy, Felix 1809-1847
Mendelsson F.
Mendelszons
Mendelszons-Bartoldi, Fēlikss 1809-1847
Mendelszons-Bertoldi, Fēlikss 1809-1847
Mendelszons Fēlikss
Mendlessohn
Meritis, Felix
Φέλιξ Μέντελσον Μπαρτόλντι Γερμανός συνθέτης, πιανίστας, οργανίστας και διευθυντής ορχήστρας
Φέλιξ Μέντελσον-Μπαρτόλντυ
Бартольдi Ф. 1809-1947
Бартольди Ф
Бартольди Ф. 1809-1847
Бортолди Феликс Менделсон
линдельсон
Мендельсон
Мендельсон-Бартольдi Ф
Мендельсон-Бартольдi Ф. 1809-1847
Мендельсон-Бартольдi Я. Л. Ф. 1809-1947
Мендельсон-Бартольди Ф. 1809-1847
Мендельсон-Бартольди, Ф. (Феликс), 1809-1847
Мендельсон-Бартольди Феликс
Мендельсон-Бартольди, Феликс 1809-1847
Мендельсон-Бартольди Я. Л. Ф
Мендельсон-Бартольди Я. Л. Ф. 1809-1847
Мендельсон-Бартольди Якоб Людвиг Феликс
Мендельсон-Бартольді Ф.
Мендельсон Ф.
Мендельсон Ф. 1809-1847
Мендельсон Феликс
Мендельсон, Феликс 1809-1847
Феликс Менделсон
Феликс Менделсон Бартолди
Феликс Менделсон Бартолди германски композитор
Феликс Мендельсон
Феликс Мендельсон композитор, пианист, дирижёр һәм педагог
Феликс Мендельсон немецкий композитор, пианист, дирижёр, педагог
Фелікс Мендельсон
Фелікс Мендельсон німецький композитор, піаніст і диригент
Фелікс Мендэльсон
Фэлікс Мэндэльсон
Якоб Людвиг Феликс Мендельсон Бартольди
Ֆելիքս Մենդելսոն
ברתולדי, פליקס מנדלסון-
מנדלסון-ברטולדי, פליכס
מנדלסון־ברתולדי, פליקס
מנדלסון-ברתולדי, פליקס 1809-1847
מנדלסון, פליקס
מנדלסון, פליקס ברתולדי 1809-1847
מנדלסזון-ברתולדי, פליקס
מענדעלסאהן, פעליקס 1809-1847
פליקס מנדלסון-ברתולדי
פליקס מנדלסון-ברתולדי מלחין ופסנתרן גרמני יהודי-מומר מהמאה ה-19
פעליקס מענדלסאן
فلیکس مندلسون
فيلكس مندلسون
فێلیکس مێندلسۆن
फ़ीलिक्स मेंडल्ससोन
ഫെലിക്സ് മെൻഡൽസോൺ
เฟลิกซ์ เมนเดิลส์โซห์น
เฟลิคส์ เม็นเดิลส์โซน
မင်ဒယ်ဇုန်၊ ဂျေ၊ အယ်၊ အက်
မင်ဒယ်ဇုန်၊ ဂျေ၊ အယ်၊ အက် ဂျာမန် တေးပြုစာဆို၊ စန္ဒရားသမား၊ အော်ဂင်သမားနှင့် ဂီတမှူး
ფელიქს მენდელსონი
멘델스존, F. 1809-1847
멘델스존-바르톨디, F. 1809-1847
멘델스존 바르톨디, 야코프 루트비히 펠릭스 1809-1847
멘델스존-바르톨디, 펠릭스 1809-1847
멘델스존, 페리쓰 1809-1847
멘델스존, 펠릭스 1809-1847
멘델스죤, F. 1809-1847
멘델스죤, 바톨디 1809-1847
펠릭스 멘델스존
펠릭스 멘델스존 독일의 음악가
フェリックス・メンデルスゾーン
フェリックス・メンデルスゾーン ドイツ・ロマン派の作曲家、指揮者、ピアニスト、オルガニスト
メンデルスゾーン
メンデルスゾーン 1809-1847
メンデルスゾーン, F.
メンデルスゾーン, F. 1809-1847
メンデルスゾーン・バルトルディ, フェーリクス
メンデルスゾーン, フェリックス
メンデルスゾーン, フェリックス 1809-1847
菲利克斯·孟德爾頌
菲歷士·門德爾松
費利克斯·孟德爾頌
费利克斯·门德尔松·巴托尔迪
费利克斯·门德尔松·巴托尔迪 德国浪漫主义时期作曲家
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